Friday
March 9, 2007
7:00 p.m.

David Greer Concert Hall
Bloomingdale School of Music
323 West 108th Street
New York, NY 10025
(212) 663–6021

1 train (map) to 110th street and Broadway, walk south for two blocks to 108th street, make a right towards Riverside Drive, the school is half way between Broadway and Riverside Drive.
Nearby buses (map), M104, M4, M116, M60, M5. Other MTA maps available from their website.

The Art of the Cello Suite: From Bach to Britten



Description:

The six suites for unaccompanied cello by J.S. Bach are considered by many to be the greatest works written for solo cello. Written between the years 1717–1723, the suites contain a wide range of technical challenges as well as extraordinary emotional depth. Yet what truly makes them captivating is that each performance is so personal and unique to the artist playing them.

Approximately two hundred years later, the English composer Benjamin Britten was deeply inspired by a performance by Mstislav Rostropovich, his close friend, of the Bach cello suites. As a result, Britten wrote his own set of suites for cello and dedicated them to Rostropovich. There are three suites for cello in total, Op. 72, 80, and 87, written in 1964, 1967, and 1971, respectively.

Although the two sets of suites by Bach and britten differ greatly in style, they are profoundly connected.The paring of Bach's fifth cello suite and Britten's third cello suite (Op. 87) is because they not only share the key of C minor, but also are absorbing in their introspective and melancholy character. The Bach is performed with the scordatura tuning, which means that the A string is tuned down to a G. This causes the cello to resonate even more intensely and adds to the dark quality of the sound. The Britten suite is made up of nine sharply contrasting movements based on three Russian folk-songs most notably the Kontakion, or Hymn for the Departed, and was Britten's last work for cello.

Interview with Carolyn Jeselsohn:
On the underlying theme to the concert.


On potential challenges in preparing for the program.


On what audiences will enjoy most or find most interesting.

Program:
J.S. Bach
Suite No. 5, BWV 1011

Benjamin Britten
Third Suite for Cello, Op. 87

Performers:
Carolyn Jeselsohn, cello